Harney Collection: Scenes in the Indian Country by Alexander Gardner
Scope and Contents
Scenes in the Indian Country by Alexander Gardner contains 79 photographs, mostly taken between 1866 and 1868, showing studio portraits of Native American leaders; Native Americans and Peace Commissioners at the Fort Laramie Treaty Council; and scenes of the landscape in the western United States. The Lakota Sioux, Dakota Sioux, Sac/Sauk, and Fox tribes are well documented in the collection. The Kaw, Pawnee, Crow, Arapaho, and Cheyenne tribes are also represented.
Studio portraits were likely taken in Gardner’s Washington, D. C. studio between 1866-1868 as tribal delegates visited the capital. Several photographs show Lewis Bogy, Commissioner of Indian Affairs, posing with the delegations. Photographs of the 1868 Fort Laramie Treaty Council show outdoor portraits of tribal leaders and family groups, as well as Peace Commissioners and other United States officials. The Fort Laramie photographs also show general views of the fort and the surrounding landscape, including rivers and rock formations. The portfolio also includes landscape views of Kansas and other western states, some of which were used in Gardner’s previous portfolio, Across the Continent with the Kansas Pacific Railroad. Across the Continent contains photographs taken during Gardner's 1867-1868 trip with a survey team to document a proposed route to extend the Kansas Pacific Railroad along the 35th parallel. (See P0182: John D. Perry Collection: Alexander Gardner, "Across the Continent with the Kansas Pacific Railroad").
One additional photograph taken at Fort Laramie shows officers of the 11th Ohio Volunteer Calvary. Handwritten notes indicate that the photograph was taken between 1861-1865, prior to the 1865 deaths of several of the men.
This set of Scenes in the Indian Country photographs belonged to William S. Harney, who servved as a member of the Peace Commission. Most photographs contain identifications and annotations that appear to have been written in multiple hands at different times. The authors(s) of these notes are unknown. Plate numbers have been derived from a sequential numbering of the images, although the origin of this numbering is also unknown.
Dates
- 1862-1868
- Majority of material found in 1866-1868
Conditions Governing Access
No access restrictions.
Conditions Governing Use
Two photographs showing tree burials near Fort Laramie may be viewed onsite, but may not be reproduced or published without written permission from the affiliated tribes. All material is in the public domain based on date of creation.
Biographical / Historical
Alexander Gardner
Alexander Gardner (1821 - 1882) was born in Paisley, Scotland. In 1856 he came to the United States, and in 1858 he found work in Matthew Brady's Washington, D.C. photography studio. In 1861, Gardner was appointed to the staff of General George McClellan as a photographer. He documented the Civil War battles of Antietam, Fredericksburg, Gettysburg, and the siege of Petersburg. Gardner also specialized in portrait photography, and photographed many civilians, soldiers, and politicians, including President Abraham Lincoln.
In 1866, Gardner, among others, was contracted to photograph portraits of Native American delegates visiting Washington, D. C., including members of the Iowa, Sac and Fox, Kaw (Kansa), Dakota, and Lakota tribes. In 1868, he was hired by the U. S. Government to document the peace talks taking place at Fort Laramie, Wyoming between a Congressionally appointed Peace Commission and Native American tribes of the northern plains. During this time, he photographed members of the Lakota (Teton/Western Sioux), Apsaalooke (Crow/Absaroke), Northern Tsitsistas (Northern Cheyenne), and Northern Inunaina (Northern Arapaho) tribes.
Upon his return from the peace conference, Gardner published his photographs under the title Scenes in the Indian Country. The images were distributed as prints and stereographs, and sets were given to members of the Peace Commission, including General William S. Harney (1800-1889).
Gardner became the official photographer for the Office of Indian Affairs in 1872. He died in Washington, D. C. in 1882.
Fort Laramie Treaty of 1868
The Fort Laramie Treaty of 1868 was intended to put an end to armed conflict between white settlers heading west on the Bozeman Trail and Native Americans led by Red Cloud of the Oglala Lakota tribe. The terms of the treaty closed the trail and promised demolition of the forts built to protect it. It also set aside extensive reservation lands for the Great Plains tribes, including the Black Hills of South Dakota. However, within nine years of the treaty’s ratification, gold was discovered in the Black Hills and Congress broke the treaty to seize tribal lands.
William S. Harney
William S. Harney (1800-1889), whose set of Scenes in the Indian Country photographs forms the basis for this collection, was a cavalry officer in the United States Army and spent much of his career stationed on the frontier. He fought in the Blackhawk War (1832), second Seminole War (1836-1841), and the Mexican-American War (1846-1848), in addition to several campaigns against American Indians in the West. He retired to St. Louis in 1863 but returned to the frontier as a member of the Peace Commission. He took part in negotiating several treaties, including the Fort Laramie Treaty of 1868, and later oversaw the establishment of three Sioux reservations on the Missouri River.
Extent
4 Boxes ( (79 photographs))
Language of Materials
English
Arrangement
Most photographs contain identifications and annotations that appear to have been written in multiple hands at different times. The authors(s) of these notes are unknown. Plate numbers have been derived from a sequential numbering of the images, although the origin of this numbering is also unknown.
Physical Characteristics and Technical Requirements
No physical or technical restrictions.
Custodial History
This set of Scenes in the Indian Country photographs belonged to William S. Harney, who served as a member of the Peace Commission. The set was given to the Missouri Historical Society as a long-term loan 1903, prior to official donation in 1999.
Donor Information
Collection donated by John M. Harney in 1999.
Existence and Location of Copies
Photographs from the Scenes in the Indian Country portfolio are also held by the National Museum of the American Indian, the St. Louis Mercantile Library, the Newberry Library in Chicago, and the Minnesota Historical Society.
Digital copies and item-level records of select images are posted as they are created and can be accessed through the Online Collections on the Missouri Historical Society website (mohistory.org/collections).
Digitized images are generated from the original item whenever possible and files are adjusted only to ensure an accurate representation. Master files are saved in TIF format and JPEG viewing files are automatically generated from the master files.
Sources Consulted During Processing
Formats
Photographs
Processing Information
Processed by Photographs and Prints staff over multiple years.
- Title
- Guide to the Harney Collection: Scenes in the Indian Country by Alexander Gardner.
- Status
- Completed
- Author
- EAD by Lauren Sallwasser using ArchivesSpace.
- Date
- 2020
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
- Language of description note
- English
Repository Details
Part of the Missouri Historical Society, Photographs and Prints Department Repository
Library and Research Center
225 South Skinker Boulevard
St. Louis MO 63105
photo@mohistory.org