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Wired Women Dance, Inc. Records

 Collection
Identifier: A3159

Scope and Contents

The collection contains records for Wired Women Dance, Inc. dating from 1984 to 1999. The records are divided into two series: Administrative and Events. The Administrative Series is arranged alphabetically by topic/type of document and dates from 1983 to 1999. The Events Series is arranged alphabetically by topic and dates from 1984 to 1999. The Administrative Series contains business records such as non-profit registration with the state of Missouri, correspondence, mailings and newsletters, and documents related to grants from the Regional Arts Commission of St. Louis. There is one list of Wired Women board members dated circa 1999. The correspondence includes several thank you letters for donations and services. There are letters of support for Wired Women as it sought grants. The Events Series contains lists of artists, concerts and plays produced, and dances put on by Wired Women supplied by Mary Carpenter. The files on artists are arranged alphabetically by the first name of the artist. The artists list corresponds to newsclippings; press releases; in a few instances, contracts with the artists; and also balance sheets for performances which reveal expenses and income, or deficits. There is a co-promotion agreement with Contemporary Productions, Inc. for the 1995 Kate Clinton performance (f.15). In 1989, the Del Rubio Triplets corresponded with Wired Women (f.3) and there is a copy of the schedule for their performance which includes tasks such as transporting the artists and the stage crew’s timetable (f.12). Carpenter created two comprehensive chronological event lists providing dates, locations, and publicity materials inventories. One list chronicles concerts and plays (53 events) and the other records dances (164 events). The lists number the events chronologically and Carpenter wrote these numbers on the flyers, programs, and posters in the folders. Publicity materials are not present for every event on the lists. In a few instances, the lists note publicity materials that are not in the collection. Several of the flyers have a space saying, “put your magnet here,” which refers to magnets distributed by Wired Women. Tickets were not included on the lists but have been added to the other publicity items. Two balance sheets for unidentified events complete the series.

Dates

  • 1983-1999

Creator

Conditions Governing Access

The collection is open for research use.

Conditions Governing Use

For permission to publish, quote from, or reproduce material in this collection, please contact the Archives Reference Desk at archives@mohistory.org. Copyright restrictions may apply. The researcher assumes full responsibility for conforming to the laws of copyright.

Historical Sketch

Wired Women Dance, Inc. began in June 1983 when Barbara Lau, Connie Lane, and Mary C. Carpenter sought a location to socialize with other women. They worked with the owner of the Heartbreak Hotel bar in downtown St. Louis to host a dance, “Sister Solstice Strut.” The women rented audio equipment and supplied the music and earned a profit of $16.10. By 1984, Wired Women hosted weekly dances at this location. In April 1984, Connie Lane and Barbara Lau used their theatrical expertise to direct and produce Last Summer at Bluefish Cove. The program stated, “Wired Women Productions, Inc. is a not-for-profit corporation whose purpose is to promote and facilitate women’s theatre, dances, and other cultural events.” Soon, it brought nationally-known acts to St. Louis, such as lesbian comedian Kate Clinton. As comic and musical event productions increased, the weekly dances decreased. Wired Women secured various venues in the St. Louis area. Its first play was produced on the Webster University campus and later events took place at First Unitarian Church, the Sheldon, Soulard Preservation Hall, Tower Grove Park, and the Edison Theatre at University of Missouri-St. Louis, among others. At the Sheldon, Wired Women held an event in the Concert Hall and a dance afterward in its ballroom. They also provided free childcare for many early events. Wired Women did not maintain a central office space and much of the work was accomplished by a core group of volunteers. They sent out mailings to a list that quickly reached over 800 addresses and also created flyers and posters. In 1988, the group officially incorporated as a non-profit in the state of Missouri as Wired Women Dance, Inc. Its publicity and logo used Wired Women. Eventually, it obtained funding from the Regional Arts Commission of St. Louis to produce arts events. Wired Women co-promoted events with Contemporary Productions, Inc. in the 1990s. As its revenue grew, Wired Women hired people skilled in various aspects of production with whom volunteers could work and learn. Wired Women was a cornerstone of lesbian social life in the St. Louis area for a generation. The acts brought to St. Louis became marketable to larger local production companies. In 2003, Wired Women Dance, Inc. filed its last non-profit registration report with the state of Missouri and was dissolved in 2004.

Extent

0.5 Cubic Feet ( (1 box, 1 oversize folder))

Language of Materials

English

Arrangement

The records are divided into two series: Administrative and Events. The Administrative Series is arranged alphabetically by topic/type of document and dates from 1983 to 1999. The Events Series is arranged alphabetically by topic and dates from 1984 to 1999.

Physical and Technical Requirements

There are no physical or technical restrictions.

Donor Information

The collection was donated by Mary C. Carpenter in 2020 (accession number 2020-090).

Related Materials

The Saint Louis Gay and Lesbian Community Collection (A1422) includes a folder of items related to Wired Women events (B1/f23). Please also see the Photographs and Prints Department and the Museum Collections Department for more materials related to Wired Women Dance, Inc.

Sources Consulted During Processing

For more information on Wired Women see the following oral history interview with Mary C. Carpenter and Barbara Pfaffe: Documenting the Queer Past in St. Louis (WUA00478), Washington University Libraries Research Guides.

Processing Information

Processed with funding from The Stuart Foundation, Inc. by Kristina Perez, 2021.

Source

Creator

Title
Inventory of Wired Women Dance, Inc. Records
Status
Completed
Author
EAD by Kristina Perez using ArchivesSpace
Date
2021
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin
Language of description note
English

Repository Details

Part of the Missouri Historical Society Library and Research Center Repository

Contact:
225 S. Skinker Blvd.
St. Louis MO 63105 United States
314-746-4510